Wednesday, August 18, 2010

Flaming Latkes


When I woke up feeling fantastic a couple days later, I went to a couple seminars, did some work, and, before I knew it, it was Hanukkah.
I’m going to assume that you, Infinitely Wise Reader, know about the holiday: the historical basis and how it’s Judaism’s attempt at competing with Christmas. What you may not know is that, while we do have eight nights of presents, the first seven presents are tremendous letdowns. Like everything else, there’s a practical reason to this. Imagine, if you will, eight nights of stupendous presents—gifts that would only result in amazement, bewilderment, and speechlessness.
The family would be bankrupt if the kid were past the age of two.
So, necessarily, the first seven gifts are things like socks and trapper-keepers, while the last one is the shock-and-awe gift.
In my experience, it didn’t matter, as we celebrated both Christmas and Hanukkah. What mattered was that it was because of this holiday that I got into my first fight. See, when I lived in Ohio, most of my friends were Greek. The content of this fight was based on, verbatim, “Israel has better rockets than Greece and could beat Greece even better now than we did back then.” Yes, my first—and only—fight was because of that bizarre dual nationality that every Jewish-American feels at some point in their lives.
Anyway:
The Musical Theatre Society has a habit of monopolizing karaoke nights on campus. During term times, the entire society would swing into Rutherford Bar at eightish, pull tables together, and put in for songs. When I went, I thought of it as Jack Daniel’s Nights and generally got too drunk for my own good. At this point late in the semester, I was in a funk because of a girl in Woolf, and I started drinking late in the afternoon with The Drunkard, and the two of us staggered over to karaoke. I growled my way through “Boy Named Sue” and then The Drunkard started chatting up a girl at the other end of the table. I decided I’d follow suit.
I’ve never been smooth. I’d describe my looks as decent—everything’s where it should be and I don’t have an eye that bulges out or a horn growing out of my head or anything. But I’m well aware that my best quality is my sense of humor. At some point, I started screaming about how people who don’t like baseball can fuck right off, and generally infuriated most people in Rutherford. At any rate, I did manage to start talking to someone, but made the mistake of inviting her over for the Hanukkah party to “eat disgustingly greasy potato pancakes and get abso-fucking-lutely shithoused.” It sounded good at the time.
Anyway, cut to the night of the Hanukkah party and, aside from one Jewish girl from a block down, Rebecca, Giggles, and Giannis, it was made up of we Thes. The Drunkard sprawled out on the couch clutching a bottle of wine. The Student, Rebecca, Natasha (the girl from the block down), and The Writer were trying to explain the game of dreidle to Giggles and Giannis. The Traveler stood over the stove, one hand in a mixing bowl of latke batter, the other pouring olive oil onto a frying pan. The Stalker sat cross-legged on our large ottoman placed by the radiator. I leaned up against the sink, a bottle of wine in my hand, watching everyone and, occasionally, glancing over at my phone—perched perilously on the window sill, the only place it would get reception—seeing if anyone was calling to be let in.
“You know,” said The Traveler, “inviting a girl to a Hanukkah party probably isn’t the best way to go about it.”
“Fuck off, I know that,” I said.
“Wait,” said The Drunkard from the couch. He tried to sit up, failed, and plopped back down. “Goddamnit,” he said. He successfully sat up this time and scooted back so that his back was against the armrest on the couch. “You tried that?”
“I was drunk.”
“Drunk and stupid,” said The Drunkard. He tipped the bottle back and pointed at me. “I mean, hey, points for thinking outside of the box, but look at this gathering.”
I did. At the table, Giannis asked which squiggly line meant what for the twelfth time, Giggles was suggesting that the entire game could be streamlined, and Rebecca and Natasha were trying to guilt The Student into taking Rebecca to a very expensive restaurant in town before she left for the holiday. Judging by the way The Student was constantly readjusting the cuffs on his sleeves, it was working. The Stalker sat quietly, eyes darting from person to person in the room, drinking from his cider. “Okay, I’ll admit that it doesn’t have the largest appeal across vast swaths of the population, but—”
“Jesus Christ!” shouted The Traveler.
I looked over and saw that one of the latkes on the frying pan had erupted into flames. “Jesus Christ, throw it out of the window!”
In a flash, The Drunkard was up off the couch. He dashed to where I kept my utensils, grabbed a spatula, took up the flaming latke, and threw it out of the window. We all rushed to the windows to see where it had landed and saw that it had sailed through the air two feet in front of someone walking around with headphones on. They looked up at us with fear in their eyes and Natasha waved at them. “Happy Hanukkah!” she shouted.
“Say, Traveler,” said The Student. “How about using a little less oil with the next batch?”
The Traveler, pale, nodded. “Yeah.”
The Drunkard heaved himself back onto the couch as we dissipated back to the table. He drank from his wine and started humming a song. “Narrator.”
“Yeah?” I asked.
“Sing.”
“What?”
“You heard me. Sing us a song, Tevye.”
Natasha punched me in the arm. Hard. I rubbed it and winced. “You didn’t tell me you got the part.”
“Slipped my mind.”
She punched me again. I winced. There would definitely be a bruise.
“What?” asked Giannis.
“The play I’m in.”
“You are in a play?” he asked, eyebrow raised as if I hadn’t explained to him what was going on five times before.
“Yes,” I said. “The play I’m in. I told you last night and the night before that. Fiddler on the Roof. The Jew play.”
“Oh, the Jew play.” He spun the dreidle and knocked the table in front of The Student. “You and me will play for a while together, okay? Five pounds to start.” He put down five pounds on the table.
The Student said, “Fuck. Five quid to start with? That’s a bit much, don—”
“Just throw down,” said Rebecca.
The Student did.
“Hey, Narrator. Traveler,” said The Drunkard. “What’re we doing once we’re out of latkes?”
I shrugged. The Traveler said, “You mean aside from feeling disgusting from eating about a pound of latkes each? I don’t know.”
“I humbly posit that we go drinking. Like, heavily drinking. Such a bender that would put whatever we have done on Purim in the past to shame.” (A commandment for Purim states that one should get so drunk that it is hard to tell one person from the next.) “We shall build up to such a blackout that London during the Blitz will look like modern-day Tokyo at night. What do you say?”
“I’ve never met anyone so eager to black out,” said The Traveler.
“I like to think of it as time travel, and what red-blooded American doesn’t want to travel through time?”
“Your logic is flawless. Batch up,” said The Traveler.
I went over to the table, got the plate with the slowly-building mounds of latkes, and put the next four on top. Rivulets of grease trickled down the cakes and pooled on the bottom and, just for a moment, I was about to throw up, because I realized that, at this rate, I’d be the one eating all of these for the next week and a half. “Well,” I said, “what the hell? I don’t have class tomorrow.”
“Tomorrow’s Saturday,” said The Traveler.
“Exactly,” I said. “I don’t have class tomorrow.”
“Traveler?” asked The Drunkard. “Wanna go? We’ll paint campus red. We’ll have such fun that people will refer to us as ‘Those guys who had a whole hell of a lot of fun.’ Whaddya say?”
The Traveler shrugged. “Yeah, sure, why not? Mind you, we still have about a quarter pound of latke mix to go through and—”
The Drunkard stood up, picked up the mixing bowl and dumped it out of the window. I heard someone below shout, “Malacka!”
“Drunkard, please don’t do that,” I said. “There are people in this college who know where I live and can kick my ass pretty easily. And, really, you don’t know who you’re dumping latke mix on.”
“Ah,” he said, “but neither do you. Assuming that you know the person who I dumped latke mix on is nothing more tha—”
“Fine,” I said, “shut up.”
“Okay,” The Drunkard said, clapping his hands and wobbling as he stood up. “Yo. Check it. We’re going to go get blitzed.”
“Where?” asked The Stalker.
The Drunkard whirled on him. “No. You can fuck right off. You’re terrifying and will do nothing but make us have a negative amount of fun. This is a fun night, God damn it.”
The Stalker shrugged. “I’ll find you. I can always find you.”
“See? That? That’s what I’m talking about. Fuck off, damn it. The rest of you. I don’t know where we’re going. Who wants to join us in a wander through campus until we find somewhere worth going to?”
“Eh.” Natasha said. “I like to get up in the morning.”
“The morning is for undergrads,” reasoned The Drunkard. “We are postgrads. The night is ours!”
“Dear God,” said The Student. “What have you already had to drink?”
“Never mind that,” said The Writer, “what matters is the quantities. Neanderthal here is so immune to the effects of alcohol that he must have had—”
“And you,” said The Drunkard. “You’re a downer. You can fuck right off, as well.”
“Hmm,” said The Student. He spun the dreidle and lost another two quid. “I don’t think I’ll be joining you guys. I’ve got some more research to gather for my damned Conrad essay.”
“Why are you doing an essay on Conrad?” asked The Traveler, now at the sink and cleaning out some of the stuff he’d used to make the latkes. “Haven’t you gone on about ten rants about how you hate the man and his entire body of work?”
“Yes,” said The Student. “Yes, I have. However, I have no other option. My choices are either Conrad or a novel by a self-aggrandizing woman who owned a coffee plantation and was shocked when the native workers left to join revolutionary movements. It’s a choice between two evils, and sadly, I can’t come up with a valid essay topic on Kipling other than: Kipling was totes awesome. Don’t think that would fly. Damn it!” He put another two quid in the pot.
Giannis smiled and said, “I like playing with you.”
“You, Greek,” said The Drunkard. “You want to come with us? Drinky drinky?”
“Would you like to go to K-Bar?”
The Drunkard shrugged. “They’ve got booze there. I don’t see why we shouldn’t.”
“In that case,” Natasha said, “I’m going to head out.” She stood up and gathered the remaining bags of gelt that she’d brought. “You boys have fun killing your livers tonight.”
“M’lady,” The Drunkard said, “we always do.”
She left and The Student, now out somewhere in the neighborhood of twelve pounds, ran his hands through his hair. “Okay, I’m broke now, so I couldn’t go out anyway. Thanks, Zaf.”
“No,” he said, “thank you.”
The Writer stood up, put on his jacket, and slung his bag over his shoulder. “Yeah, I have to get going. Must get up in the morning to do my writing, after all.”
“Yes,” said The Stalker. “Eight in the morning with a raisin ba—”
“Stop it,” everyone else in the room said.
The Stalker stood, smiled, and walked out of my flat without another word.
“He’s going to kill us all before the year is out,” The Traveler said.
“Probably,” I said. “I’ve had a good run, though.”
The Student checked his phone. “I’ve made friends with rugby players. I could get them to be my entourage. No death for me. C’mon Becca, let’s head out.”
We said bye and helped The Traveler scrape the congealed grease off of the pan and finished cleaning. Giannis clapped his hands and said, “So, now I will get ready, okay?” He left the kitchen and went into his room.
I’d gone out for drinks with Giannis before, and I knew that when he said he was going to get ready, it meant that there was a wait of at least half an hour coming up. This, of course, was the perfect amount of time to get a nap in, so I went over to the sofa, kicked The Drunkard off, and sprawled.
“What do you think you’re doing?” he asked.
“Zaf’s getting ready. We’ve got about half an hour.”
The Drunkard snorted. “You’re kidding. There’s no way he’ll take that long to get ready.”
“Oh? Just watch. You and The Traveler will be standing there, engrossed in an awkward, while I’m here, enjoying my power nap on a sofa more comfortable than my bed.”
And, sure enough, I was right—except for the power nap. Whenever I started breathing deeply the sign of sleep—The Drunkard threw a balled-up napkin at me. Anyway, Giannis walked back in after half an hour, looking to all the world as if he’d just splashed some water on his hair and said, “Okay, we go.”
“What the hell?” asked The Drunkard. He was getting antsy. This was cutting into his drinking time. “You spent half an hour to do nothing?”
“I did hair and brushed my teeth,” said Zaf.
“You did your hair?” he sputtered. “Your hair? Are we going into a beauty contest? Are we go—”
“Yep,” I said, “we’re going. Aren’t we, Traveler?”
He was seated on the large Ottoman, reading a copy of The Daily Mail. (For some reason, editions of this paper kept turning up in my flat. It was highly ironic, as Zaf, Chacko, and I were not British and, for all I could tell, we were all relatively liberal.) “What?” The Traveler asked.
“We’re going drinking before The Drunkard tries to start a fight with Zaf.”
“I could kick his ass,” said The Drunkard.
“Eh. Giannis was in the Army.”
“Yes,” Giannis said. “I killed seven men when they fired at me. It was not good. I do not like talking about it. Let’s go drinking.”
The Drunkard stood, confused, looking at Giannis. The Traveler folded up the paper and said, “That’s a shame. I was really getting into this article. Apparently America is a Britain-hating cesspool.” He tossed it onto the sofa and said, “Narrator, who buys this paper?”
“I do,” said Zaf. “I run out of toilet paper sometimes.”
“I like this man,” said The Traveler.
We walked out of the kitchen and made our way towards K Bar.

Saturday, August 14, 2010

Biohazards


Now, of course, as many people are aware, flu season runs throughout the year with the exception of two weeks in July. However, in the University bubble, the most debilitating time for flu is in the winter. At that point, catching the flu is easier than sleeping through a morning class. I don’t know how Chacko caught his, but all that mattered was that now, by virtue of his brilliant decision to park himself in the middle of the foyer, I was stuck in my room feeling on the verge of death.
I’d woken up about four hours after I hit the bed—around noon. Never had I had anything catch up with me so quickly. I sat up and started hacking, turning my head every way I could in the vain hope that somewhere there was a sweet spot that, if I’d find it I would stop coughing and would feel, once again, like a normal human being. Of course, there was no such thing.
I swung myself out, fell into the chair—still coughing—and turned on my computer. If there was one good thing about owning a Mac (and there were several), then it was that they started up very, very quickly. I turned on Skype, saw that Chacko was on, and sent him the following message: “I’m coughing all over my shit, fuck you, man. What the hell? Who coughs on another person as a form of greeting?”
The response was: “lol ur sick now? I just got over mine. I have Lemsip if you want :)”
I shut off Skype, leaned out my window, turned towards Chacko’s, coughed a few times, and shouted, “Gimme the fuckin Lemsip!” Then I coughed some more and had to retreat into the fetal position.
A little bit later, Chacko knocked on my door to give me the Lemsip. I covered my face in a towel opened the door, and scowled at him as I plucked it out of his hands. Then I shut the door, filled a mug with water, and poured the stuff in.
Now, in America, we have good old NyQuil. For the Brits: NyQuil is a wonderful drug. It’s a step below absinthe in terms of potency, and it makes you better from just about any illness you might have. The drawback, of course, is that it tastes like black liquorice. However, it is a miracle drug. Once, in my freshman year of University, I took some NyQuil around ten in the evening, thinking that it would take an hour or so for it to kick in. I turned to my roommate, said, “I’m” and collapsed into a heap on the floor. My dreams that night consisted of nothing but exploding colors and, when I woke up in the morning, I was drunk. Some people might say that is a drawback, however, whatever bug I was coming down with was wiped right out of my system.
Lemsip, sadly, does not do any of that. It’s somewhat potent, but we Americans like our drugs to be overkill. Flavoring paracetamol with lemon and throwing it in a mug of steaming water doesn’t jive with the American spirit and, while I was thankful for any remedy I could hope to get, I really wished I had some NyQuil with me.
Next, I called The Student. “Hey,” I said, coughing.
There was a pause. “Now, I’m not a man trained in the deductive arts, but I would hazard a guess that you’re sick.”
I coughed once for yes.
“Okay,” he said. “What do you want me to do?”
I took a deep breath. “I want you to be my flu buddy.” I coughed more.
“I’m sorry? Your flu buddy? You want me to catch the flu with you?”
“No,” I said. “I want you to make sure I don’t die. You know, come over from time to time, get me water, orange juice. I can’t go outside. Sick.” That sentence took five minutes to get out, with coughing interspersed between and within words.
“Okay, I’ll go get you some stuff. I’m guessing you’re going to be locking yourself in your room like a good little biohazard and not coming out.”
I coughed once for yes.
“Good. The last thing this college needs is an epidemic.”

Three days later, I was coming out of the sickness, and three quarters of the college was ill. It happened like this: The Student, between hanging up the phone with me and coming over with some groceries, bought a biohazard suit from a military surplus shop in town. It was a massive green thing with a gas mask and respirator. He assumed that it was in good condition, so he didn’t check it—and because he didn’t check it, he didn’t notice the hole in the neck of the suit. So he walks into my flat after I drop him the keys and retreat back to my quarantine, starts breathing in the air, and all of the germs pour through that hole and into his respiratory system. The next day, he and Rebecca were sick.
 After that, I called The Drunkard. I still needed a flu buddy. He told me to fuck off. I told him I hoped he got sick and, wouldn’t you know it, he did. Apparently, one of the French existentialists had slept with someone in The Student’s flat that night. The French existentialist, in between leaving the flat in the small hours of the morning and returning to his own flat, infected six people who were also coming back from one night stands. Being friendly, it seems, is a dangerous thing. From there, he infected half of his building by putting his hands on the guard rails as he walked up the stairs and, finally, infected his flat before going into his room and coughing. From there, seventy five percent of Woolf College had come down with the flu.
Towards the end of the second day of being sick, I was in bad straits. I had started laughing for no reason other than my fever was running and I was going mental. I tried to counter it by standing in a cold shower for long stretches at a time—a trick I’d picked up from a hippie at my job over the summer—and, while that worked temporarily, I still needed someone around to pass me drugs. There was only one person I knew who could have withstood the onslaught of viruses. One person who had been around enough to know how to avoid getting sick when everyone around him was in misery. One man who could have been my salvation.
“Yello,” The Traveler answered when I called.
I coughed three times for “Hello.”
“What?” he asked.
I managed to tell him who I was.
“Ah, you got sick, too, huh?”
“Yeah.”
“You need someone to help you out, I’m guessing.”
I coughed once for yes.
“Okay, I’ll be over in a bit. I’ve got some stuff my parents sent me that you’ll be very glad to see.”
I would have been glad to see a faith healer at this point, but I said thanks and hung up the phone. Now, somehow, my keys had been floating around our group since The Student fell ill. I didn’t know who he got them from, but, somehow, The Traveler had my keys. (I was very glad I didn’t see The Stalker in my flat—in fact, I hadn’t heard from him in a while, and was wondering just what the hell he had been doing, when I realized that I probably didn’t want to know after all.) There was a knock on my door and I heaved myself out of bed to answer it.
I pulled it open and instead of the biohazard suit I expected to see, I saw The Traveler standing there as if there wasn’t anything wrong. As if Woolf College weren’t a diseased zone on par with Europe during the bubonic plague. “Yo,” he said. “You drinking water?”
“Yeah,” I said.
He nodded. “Good. Keep doing that.” He reached into his messenger bag and pulled out a little purple bottle I’d been yearning to see for three days. “The Medication Fairy sends her regards.”
I grasped the bottle like it was the One Ring and I was Gollum. “NyQuil! My precious.”
“Yeah,” said The Traveler. He checked his watch. “Look, I’ve got a date in town in a bit and—”
“You have a date in the morning?”
His right eyebrow raised up. “It’s six in the evening.”
“What?” I waved him inside my room and went to open the curtains to my window. Indeed, it was dark outside. “What have I been doing all day?”
“If I had to guess, judging by the puddle forming in your bed, I’d guess that you were laying around all day with your body trying to sweat out the fever. Hey, look, Hanukkah’s next week, and if everyone’s alive, I’d like to have a latke fry-up and get tanked. You in?”
I unscrewed the cap and took a swig from the bottle. “Yep.” I took another swig. “I’m betting that everyone’ll be okay.” I took yet another swig. I glanced at the bottle from the outside and saw that I’d drank a quarter of the thing in one go. “Especially if—”
I pitched forward on the ground and slept for two days.

That Time of The Year


I woke up curled in the fetal position next to one of the Dumpsters outside of Darwin. This is not one of my favorite positions, and one that I shall do all in my power to avoid in the future.
I stood up and looked at the sky. It was pale. The sort of pale that said that the time was almost dawn. I looked around and shivered. There were no cars in the car park and the first of the morning commuters sped by in the road behind the building. I took out my mobile, looked at the time, and saw it was five in the morning.
Next, I checked the back of my neck and felt what seemed like a minor scar. I prayed that whoever kept slipping me hallucinogens would stop sometime soon. As interesting as being threatened by a minotaur was, there were other things I’d rather to do with my time.
I stood up and groaned and made my way back to the flat. When I arrived, Chacko stood at the opposite end of the hallway, staring out of the window facing the flat block opposite us. “Hey, Chacko,” I said. “What’s up?”
He turned around, holding a mug of steaming tea. He let loose a horrible stream of coughs. “Hi. I’m sick.” He walked up to me and coughed again. “How are you?”
I blinked and sighed. “Well, I’m sick now.”
“That is too bad. I am going to go drink Lemsip and watch a film.” He walked into his room, I did the same, got undressed, laid down, and started coughing.
“God damnit,” I said.
Yep, it was flu season.

Sunday, August 8, 2010

A Third Public Service Announcement from The Justice Trio


INT. – MENTAL ASYLUM – LOBBY - DAY

The entrance lobby of an asylum. SQUIDJEW, wearing his typical uniform and squid hand puppet/hat, and KILLMAN 5000, also wearing his day-to-day uniform, sit on a couch and read magazines. Above the puke-green colored bit of furniture, there is a mostly white sheet of paper in a frame. The only drawing on the piece of paper is a bright yellow circle in the middle of the page.

SquidJew looks up at the camera.

SQUIDJEW
Ah, hello. I did not see you come in. You know, when
Killman and I have to deal with problems in Houston,
we don’t get mad or upset. Do we, Killman?

Killman continues looking at the sheet of paper in front of him.

KILLMAN
You do, SquidJew. That’s kind of your thing.

DIRECTOR (O.S.)
Cut. I am sick and fucking tired of you fucking
superheroes. When will you learn that you have to
memorize the script?

Killman looks up, just to the left of the camera.

KILLMAN
Oh, I’m sorry, Herr Kubrick. I didn’t know this was a
work of cinematic brilliance. Perhaps we should shoot
in black and white to get some fucking ambience.

DIRECTOR (O.S.)
I will not tolerate being insulted by a God-damned
actor. Especially one who can—

Killman leaps up from the couch, throws the magazine to the left of the camera—SMACKING a boom mic in the process—and points his finger towards where the magazine went.

KILLMAN
One more word and I swear to God I will touch you.
Wanna be boiled alive from the inside, motherfucker?

A very uncomfortable silence follows. A crew member (O.S.) COUGHS. Killman nods and sits back down.

SquidJew, shocked, stares at Killman.

SQUIDJEW
Dude.


KILLMAN
What?

SQUIDJEW
That was fuckin intense.

Killman shrugs and picks up another magazine from a side table. He opens it and starts reading.

KILLMAN
I hate doing these PSAs. This one’s got to be
the worst we’ve done.

SQUIDJEW
Just wait until the next one.

KILLMAN
What’s it going to be?

SQUIDJEW
I don’t know, but it’s going to be bad, I can
tell you that.

DIRECTOR (O.S.)
Okay.

SHUFFLING (o.s.) as the two superheros sit on the couch. SquidJew twiddles his thumbs.

DIRECTOR (O.S.) (CONT’D)
Okay. Can we get the cue cards up here? Let’s
start again.

Camera jiggles a second. Crew member with clapper steps in front of SquidJew and Killman. Chalk words on the front, which read

JUSTICE TRIO PSA #3 – TAKE VI

CREW MEMBER
Justice Trio PSA number 3. Take six.

He SMACKS the top of the clapper and walks out of the shot.

DIRECTOR (O.S.)
Action.

SquidJew looks up and smiles.

SQUIDJEW
Oh, hello. I didn’t see you come in. Y’know, when
Killman 5000 and I have to save the day down here
deep in the heart of Texas, we don’t get upset. Do
we, Killman?

KILLMAN
Nope.

SQUIDJEW
And why would that be?

KILLMAN
It’d be stupid.

SQUIDJEW
That’s right, children and adults. When
you get upset, then you can’t think as
well as you normally do.

KILLMAN
    (under his breath)
Kind of like when you’re being screched
at by a wannabe Hitchcock.

SquidJew LAUGHS stiltedly.

SQUIDJEW
When you’re upset, bad things happen. Say,
Killman, what do you think would have
happened if I had been upset when we had to
go up against The Land Salmon?

KILLMAN
What, the fish that you talked to before Demo
crushed it with a construction crane?

Killman tosses the magazine aside and props his feet up on the table in front of them.

KILLMAN
I reckon we would have actually had to have
fought Herr Shark instead of waiting for a
school of fish to rip him to shreds, why?

SquidJew squints at a point just below the camera.

SQUIDJEW
That wasn’t in the script.

DIRECTOR (O.S.)
Cut. Neither was anything about a land salmon.

SQUIDJEW
I felt the script needed a little fresh air.
You know, it needed to be brought to life a
little bit.

DIRECTOR (O.S.)
You’re mixing your metaphors.

The director SIGHS.

CREW MEMBER (O.S.)
We need a union break. It’s getting to eleven
o’clock. Union regs state we get a break then.

DIRECTOR (O.S.)
Of course, union regs. Fine. Everyone break for
twenty. Can we get a couple scripts for these
two, please?

CREW MEMBER (O.S.)
Nope, we’re on break.

DIRECTOR (O.S.)
Jesus Christ.

Killman picks up yet another magazine.

KILLMAN
This magazine’s four years old. How about a
new one?

SQUIDJEW
And hey, let’s forego the script. Killman and I
used to do improv in college. We got this. Theme’s
easy enough.

KILLMAN
I never did improv in college.

SQUIDJEW
But you know what it is.

KILLMAN
Yeah.

SQUIDJEW
Good enough. You know more than most people
doing improv at a college level.

DIRECTOR (O.S.)
Fine, after the break you can improv. Just hit
the tagline: “Don’t get upset, that’d be insane.”

TWENTY MINUTES LATER.

SquidJew is asleep on the couch, SNORING. Killman pokes him awake

KILLMAN
Hey, check it out. Four years ago, they didn’t
know the only thing the Large Hadron Collider
would do would be to turn all of the orangutans
in the world black.

SQUIDJEW
Wh? What? Where is this place? Oh. Fuck, we’re
not done, are we?

KILLMAN
Nope.

SHUFFLING (o.s.) as crew members get ready out of shot.

DIRECTOR (O.S.)
Okay, quiet on the set. Let’s do this.

CAMERA MAN (O.S.)
Camera roll.

SOUND ENGINEER (O.S.)
Sound roll.

Crew member steps in front of Killman and SquidJew with the clapper, which reads

JUSTICE TRIO PSA #3 – TAKE VII

CREW MEMBER
Justice Trio PSA number 3. Take seven.

He smacks the clapper and moves out of shot.

DIRECTOR (O.S.)
Action.

SquidJew looks up at the camera.

SQUIDJEW
Oh, hi thar. I didn’t see you come in, so wrapped
up in deep, sexy thoughts was I. Ladies, I’m
single. But that’s not what I wanted to talk
about. I wanted to talk about not getting upset.
Right, Killman?

KILLMAN
Yup.

He flips a page in the magazine.

SQUIDJEW
Cause, getting upset? That’s just meshuggene.
After all, Killman, did we get upset when Archie
was eaten by the kraken?

KILLMAN
I was more terrified when Herr Shark ripped off
Steve’s head like it was a leaf from a branch.

SQUIDJEW
Er, right. Well. Um, so yeah, kids, and adults,
the thing you should remember is that when you
are upset, then you’re not thinking right good.
No kidding, you get all stupid and whatnot.

KILLMAN
You must be downright livid right now.

SQUIDJEW
Shut the fuck up, hippie.

Killman puts the magazine on the side table, adjusts his gloves, and taps SquidJew on the head.

KILLMAN
What my foul-mouthed companion is trying to say
is that your mind isn’t clear when you’re upset.
You can’t think, you can’t reason, you go just
a bit insane.

SQUIDJEW
That’s what I said.

KILLMAN
So remember: Next time you find yourself in a
tight spot, don’t get upset, that’d be insane.

He grins at the camera.

DIRECTOR (O.S.)
Cut.

Killman leans back in the couch.

Friday, August 6, 2010

The Labyrinth


I came to in another dank basement-like room. The walls were a strange green color, and I noticed that there were black runes painted on them. A steady dripping noise came from somewhere behind me, accompanied by a heavy breathing and wheezing. It had been a long time since I had been on a farm, but I thought I recognized the smell of a cow. I started to turn around when a voice from somewhere in front of me said, “I wouldn’t do that, old boy. You’ll upset him.”
I looked straight ahead and said, “Mffrmmmgl.” Then I realized that, this time, I didn’t have a ball gag in my mouth and said, “Where am I?”
“You’re in the University’s labyrinth,” said the voice. The man who stabbed me in front of the Missing Link stepped into a small circle of light coming down from the ceiling. I looked up and saw that there was a break in the roof and a small bit of sunlight was streamed through.
“No I’m not,” I said. “The labyrinth’s that shitty pathway near the footpath—this is underground. Where am I?” I thrashed in my chair. Though they didn’t gag me, they still made sure to tie me up.
“You utter prat,” said the man, walking up and slapping me in the face with a package of uncooked spaghetti noodles from Sainsbury’s. (Sainsbury’s, taste the difference.)
“Ow.”
“Silence,” said the man. He snapped his fingers and an Irish Wolfhound padded into the circle of light. It had a padded seat—the sort you can rent at a baseball stadium—tied to its back. The man sat down on the dog. “Your CABAL has another task to complete.”
There was a sneeze from behind me and my neck was coated in a fine layer of sticky saliva. I groaned.
“Bless you,” said the man.
There was a grunt from behind me.
“What’s behind me?”
“Why, the minotaur, of course,” said the man. “Judging by that colorful expression, you don’t believe me. Very well. Minotaur, show yourself.”
A third being then entered the circle of light. It moved from my back brushed past me, and stood next to the giant dog. It was a minotaur. The black bull’s head sat on top of a tall, extremely muscular man’s body. In his hands, he held a large Viking axe. The sort of thing with one sharp edge and then a big hunk of iron on the back that could only be used for blugeoning what didn’t die of fright from seeing the sharp bit. Greek lettering went down the edge of the blade, and, for some reason, I memorized the letters to ask Zaf what they meant. Seemed like a good idea.
“There,” said the man in the bowler cap. “The University has a minotaur and a labyrinth. Proper labyrinth. Not that £50,000 piece of shlock on the hill.” He shook his head. “What these people do in order to stand out is downright shocking sometimes, do you agree?”
“Sure.”
“Right,” he said. “Minotaur, you may go back to your original position. If he tries to make a break for it, decapitate him.”
I gulped.
The minotaur nodded. Ites red eyes looked at me and, at that moment, I figured that, if they wanted to, bovines could make for a terrifying carnivorous species. It walked out of the light and resumed its previous position of standing at attention with an axe at the ready.
“So,” said the man, scratching the wolfhound’s ears, “as I said, you have a mission, you and your CABAL.”
“No,” I said. “You got it wrong. I’m not the guy you’re looking for. I’m not The Stalker. The Stalker’s the one who be—”
“Will you please be quiet?” asked the man. “It doesn’t matter if we have the right one, the wrong one, or the kind of okay one. What matters, you ignoramous, is that we have, simply, one.” He leaned forward. “Do you agree?”
“Sure.”
He stood up off the wolfhound, walked forward, and backhanded me across the face. “Do you agree?”
“Yes!”
“Is my dog the best little puppy pupperton in the world?”
“What?”
He backhanded me again. “Is he or isn’t he? This is of paramount importance!”
“Jesus! Yes. He’s the best widdle puppy pupperton in the world. Lookit him, being a widdle pup pup pupperton.”
The man smiled and folded his hands behind his back. “Good. Excellent, even. Now for your mission.” He walked back to the dog and sat down again, scratching its head this time. “You are to join the play Fiddler on the Roof. You are to be—”
“You asshole!” I shouted. I thrashed about in my chair, but stopped when I felt the cool blade of the axe graze the back of my neck. “I’m in the fucking play! You kidnapped me for no goddamn reason, shit for brains.”
The man blinked. “Terribly sorry, I don’t think I caught that. You mean to say that you—you’re already in the play. As in, you’ve been given a role.”
“The role. I’m Tevye. Yaidle-deedle daidle, daidle dum. If I were a rich man, to life, to life l’chaim, do you love me, fucking Tevye!”
The man scratched his chin. “I see. Well.” He sat up straight and took out a black notepad and a quill pen from his jacket. He scribbled something and then put them both away. “It seems there has been a slight delay in intelligence on our end. Agent Zed will perish for this, I shall assure you. Yes, perish terribly.”
“You’re going to kill someone?”
The man blinked. “Oh, heavens no. We’re going to let him go without a pension. What do you think we are, old bean, the Mossad or the CIA? While we can’t have dead weight—not in our organization—that would be no cause to kill a man. Well, now what to do about this little misunderstanding?”
“You could untie me and dismiss the circus freak at my back.” This was probably not the smartest thing to say, as the minotaur swung with the axe and gave the top of my head a much-needed haircut. Oh well, all the more reason to wear a hat. “That,” I said, “may have been a slightly out-of-line thing to say, and I apologize.”
The minotaur grunted.
“No,” said the man, “I’m afraid we can’t let you out right now. You might do something rash and get your head lobbed off. Then what good would you be?”
The dog barked. The sound bounced off the walls of the room and gave me an instant headache.
“Brilliant idea, Delphi,” said the man. “We shall continue as normal—except for Agent Zed, who will be sacked as soon as I return to headquarters.”
“Where is that, exactly?”
“Deep within the Registry. Anyway. You will be in this play, and you will report upon the actions of all of the cast and crew. We have an interest in a few of them, and you will be our source of information.”
“Information for what?”
“Leave that to us. You will report, we shall decode, and a certain wager shall be solved. And, hopefully, the world will continue much as it has for these past four hundred years—since our inception, you might say.”
“What the hell is going on?”
“You leave that to us and don’t worry your pretty little head about it.” He dismounted the dog and made his way to me, He reached into his jacket, pulled out the needle again, and said, “And now for baby’s medicine.”
“I’ll sue yo—”
Then I blacked out.

Sunday, August 1, 2010

The First of Many Readings


The readings take place in a building behind Darwin called The Missing Link. The Missing Link was divided into The Peter Brown Room and a few seminar rooms. The Peter Brown Room, in which the Creative Writing readings were held, was a kinda-sorta circular-looking room. The department had arranged a few rows of chairs facing away from the entrance and towards a bunch of windows, and a thin, somewhat stooped-over older woman in a black sweater and thin glasses sat on a table drinking wine and flipping through a book.
The Writer and I walked into the Room and dropped a couple two-pound coins in a pink bucket. (The Writer, I was beginning to think, never changed his clothes.) “Isn’t that hilarious?” he asked me, pointing to the bucket. He shook his head. “Man, you get some fantastically witty people in this department. I mean, who but a Writer, an Emissary of the Muse, would refer to this—as Susie does—as The Infamous Pink Bucket?” He chuckled, took his glasses off, and rubbed his eyes. “Ah, humor. Yes, Narrator, I’m positive you’re going to learn some things tonight.”
“I’m sure I will,” I said. I regretted dressing nicely for this event. Looking around at all the epople in their black shirts and polished shoes, I realized I looked too much like them. What I should have worn was a NASCAR wife beater. Shaken up their world a little.
            [Redacted. Cause: Aaron is spineless.]
We were spared from more of this by the sweeping arrival of a portly woman at the front of the room. She introduced herself in a manner I felt was repugnant and lacking in any sort of humor, but everyone in the place ate it up like it was cake. A few people, and I’m not kidding, said, “Oh, how frightfully witty.” Then she introduced the thin woman on the table as a poet from New York City who started off in the 70s and gained her literary fame from being a part of the reaction against the death of the hippies. She moved aside and the woman moved forward.
The first thing she said was that New York was a special place. So special, she said, that being an aging lesbian was a normal thing. “Ah ha,” I thought, “that’s her gag. That’s her connection to an alternate audience, something that’ll make her stand out from being a normal aging poet.” Her pre-reading talk was about the 70s and how great it was being part of a counter-culture, and how bad it was that the youth of today just didn’t care, and that she hoped we’d wake up because, and this was the truth, she cared about us. And, of course, she looked at every young person in the room at this point. I almost gagged. It was the same sort of spiel every older generation gave to every younger generation. It seemed, though, that I was the only one in the place turning a skeptical eye to what this woman was saying. To my right, The Writer was nodding along and on the verge of bursting into applause whenever the woman spoke. The goateed, corduroy-draped bastard thought she was smart. This went for everyone else in the audience. They lapped up her faux-sage tone delivered by a low-volume voice and thought it was the most original stuff in the world.
After a few minutes of standing on a worn-down soapbox, she reached behind her onto the table and picked up a well-thumbed edition of a book of poetry. She said the obligatory bullshit about how she hated readings and delivered some quasi-humorous adage about one time she was reading a poem in front of a live audience in The Village. (I had to take issue with this insistence that no writer likes reading their own stuff. It’s a lie of the highest caliber: a lie told to make the liar look humble. No writer would hate readings—they’re too much like performing on stage, and, really, what is writing except for something waiting to be performed: either on stage, screen, or in the minds of someone?)
Then, she cleared her throat, took another sip of water, and started reading. The poem was about making an omelette. Yes, an omelette. Now, I’m in favor of taking joy and pleasure out of the small things, I am. There is a certain poetry in the way a well-timed summer breeze may drive a man to sanity on a hot day, or in a child’s laughter, or whatever you want to say. But an omelette? And people were laughing! As if they, too, had made an omelette and felt moved to compose ballads upon the joy and frustration of getting it perfectly right.
I sunk in my chair and groaned. The Writer shot me a brief look and returned to gazing upon this woman who he would, no doubt, refer to as A Worthy Muse Vessel or some shit. I started trying to figure out what exactly this woman was on about. Was she trying to say that the omelette was a metaphor for--what? Sex? Sex was the most obvious, but nothing I’d seen in lesbian porn had made me think of omelettes. Maybe she was bi and had—but omelettes? Money, then? Money buys omelettes, but that doesn’t necessarily pertain to making omelettes, unless you’re also paying someone to watch them make the omelette. But that would be weird. Death? Well, a chick embryo has to die in order for this omelette to be made, but that’s too obvious. I shook my head. I didn’t, I decided, have the time for poetry.
She finished reading that, looked up, blinked behind her giant, magnifying glasses and said, “That’s called ‘Omelette.’” People laughed again. They were so far up her ass that she’d be constipated for a year. She flipped through the book to another page, marked by a yellow Post-It Note and happened upon a poem she called, “Why Couldn’t I Have A Bar Mitzvah?”
“Because you’re a chick!” I shouted.
People turned.
I sunk into my chair and pulled my hat over my eyes. Luckily, I’d worn a ballcap.
“Right,” said the woman, blinking. Other than that, she ignored the comment, and so did most of the other people—except for The Writer, who punched me so hard I thought that he must, after all, have some cajones on him. She started reading the poem and, even if it had been written in the 70s, the fact that she was reading it in 2009, told me that she was gleefully ignoring the changes in Reform Judaism that took place, oh, at its inception in the 1870s. One of which was that women could have Bat Mitzvahs. (The name change was necessary, as having a Bar Mitzvah would have meant the woman was probably a tranny.) Now, yes, I understand that the woman was making A Point about disenfranchisement of women, and it’s a good and important point to make and good for her, but, Jesus Christ, really, lady? I figured these goy would walk away thinking all Jews in the world were the Orthodox ones they saw in North London with the funky hats.
She read one more poem after that, but I honestly couldn’t tell you what it was about. I zoned out after hearing some line in the Bar Mitzvah poem like “You preach about seeking knowledge/But how can I when I can’t read Hebrew?” I spent the rest of the time thinking, “Go fuck yourself, you hack.” Eventually, she stopped rambling about her persecution complex and started the Q&A session.
The Writer was the first one to shoot up his hand. “Brilliantly done,” he said, in the same English accent. “Where do you get your Inspiration?”
“Coffee,” the woman said. That was probably the first honest thing she said the whole night. There were a few chuckles.
There were more questions, and a lot of them were vapid and the same sorts of shit creative people ask each other, like, “Don’t you hate the business side of things?” We’re all guilty of it, and I do it just as much as anyone else, but, damn it, that doesn’t mean I don’t get to twitch when I hear other people do it as well.
The woman from earlier—Susie with the terrible sense of humor—stood up and demanded a large round of applause, which, of course, we gave her. Just because she lied about not wanting to do a reading doesn’t mean it takes chutzpah to actually do it. It’s the same as acting, once again. Everyone really wants to be up on stage, but once you’re there, there’s an initial five minutes of mortal terror.
I stood up to leave and The Writer said, “I’m going to go apologize for you.”
“What?” I asked.
“What you did earlier. That was unforgivable. You won’t apologize, so I will.”
“Look,” I said, “do what you want, but if I see her on the street again, I will call her a charlatan and demand that she writes a story about space monsters. You can apologize for me all you want, but I’ll still hold the beliefs I have.”
“Whatever,” he said. “I hope you get knocked out and raped on the way back to Woolf.”
I blinked. “That’s a little harsh, don’t you think?”
“No, not at all. You disrespected a Vessel of the Muse.” He turned and walked to the front of the room to push his way through to the woman at the center of the crowd of writers.
I shrugged and walked out of the Peter Brown Room, through the front doors of the Missing Link.
Then I heard, “Ello, guv. Do you have the time?”
I turned to my left and saw a man in a black suit, white shirt, black tie, and a bowler cap. In his hand, he held a hypodermic needle. He squirted it and flashed me a grin.
“Son of a bitch,” I said.
There wasn’t any pain as the needle went clean through my pea coat, broke the skin, and the warm flush of tranquilizer once again entered my bloodstream.